The Crime Film Genre and Coppolas The Godfather

The Crime Film Genre and Coppolas The Godfather Introduction Genre theory Films belong to different kind of genres which depend on the content of the film. One of the familiar types of movies available in the market today and the entire movie industry is crime and drama type of movies that are loved by most youth today. (Corliss, 2014). Crime films are arguably the most complex genre of movies that reflect our ideology of moral order and justice in society, lawful even illicit, desirable and sometimes unworthy. Crime genre of films mirrors society because of its relationship with the complexity of real live events that fulfill the audience’s desire for mayhem and underdog characters. The critical alternative and tradition, for the most part, focuses on the nature of the film where the traditional movies tend to emphasize heroism together with the restoration of moral order in the society. (Seel, 2008). The earliest crime film is traced to be the silent epoch in 1897-1927. Duringthis Progressive erain the United States of America. Social conditions that existed this time, such as immigration together with increased urbanizationled to a proliferation ofmost organized crimes, social anarchy and there was also a distrust of the government activities. Serial killer movie genres have far more cerebral-thinking characters the slasher movies. Serial killers have specialized victims in them and a consistent way of committing crimes in the same movies. More than this, these films once emerged during a time when conservative criminal justice policies were more and society viewed crimes as inherently evil people. There was a big need for research and funding in dealing with serial murderers. And to make matters worse, criminologists and psychologists were less careful to this pattern of behavior. But serial killer movies grew in fame due to the increase of actual serial killer cases worldwide and human interest in movies that are awry in nature. (Poon, 2006). The Godfather first movie The Godfather is a 1972 American film in which the director was Francis Ford. The producer of this movie was Albert Ruddy and the screenplay was facilitated by Mario Puzo together with Coppola. Starring in the movie was Marlon Brando and one Al Pacino, who were leaders of a fictional New York family of crime, the story was written between 1945and 1955. The concentration was on the transformation of Michael Corleone from being in a reluctant family outsider to a ruthless Mafia boss while undertaking the Corleones under the one patriarch Vito. This movie that was ideally based on a script labored between for some period by Puzo and later given form, I believe, by director gets the same feel by the person watching. We even tend to observe with Don Corleone’s family not that we dig gang wars, but just because we have been with them from the start, watching them in the movie wait for battle while situated even at the kitchen table in the activity of eating. (Welsh, Fleming Dowler, 2011). The Godfather† himself in the movie is not even the central character in the drama. The position goes to the youngest and the brightest son known as Michael, who keenly understands the way of his father’s position while revising his old ways of life. The Godfather’s role in the family business is described by his name as he stands outside the next generation that will move on and eventually angle the family into the legitimate business. In the film, Brando’s performance is skillful. Though it earned him an Award of the Academy for the best actor. His voice is wheezy and also whispery. We also notice that physical movements deliberately lack enough precision in the film. The effect of lack of precision is of a man so accustomed to the power that he no longer needs to remind others of it. Brando does look the part of old one, Don Corleone, just because of acting and partly because of his makeup. However at some point, he seems to have stuffed a bit of cotton into his jowls, making his lower face immobile. (Poon, 2006). The genre conventions available. The film genre convention is the presentation of the film.the way the actions of the actors convey the theme, and the title of the movie is what genre convention is all about.In the Godfather movie, the act of family loyalties was portrayed. With his father at the end of his career and also his brother too weak, Michael takes the reins of the family and then promising Kay that he will make the business legitimate within five years period. To this end, he insists that Hagen has to relocate to Las Vegas and relinquish his role to Vito for Tom is not a wartime consigliere and thus the older man concurs that Tom should have no part in whatever will in case happen in the coming battles with their rival families. At the time when Michael travels to Las Vegas in order to buy out Greenes stake from the familys casinos, their partner derides the family for being run out of town. Michael, to his dismay, notices that Fredo has fallen beneath Greenes sway. (Navarro, 2012). We also see that there are violence and murder. When Vito suffers a fatal heart attack and dies, at the funeral Tessio, one of the Don’s capos, approaches Michael in order to arrange a meeting between him and Barzini, exposing on the treachery that Vito had just forewarned. The meeting is set to occur the same day as it was for the christening of Connie’s baby. As Michael stands on the altar as the childs godfather, Corleone just assassins murder to the other New York dons and Moe Greene. Tessio is executed because of his betrayal, and then Michael extracts Carlo’s confession for his involvement in setting up Sonnys murder of Barzini, and also Clemenza garrotes Carlo with a wire. Kay tries hard to comfort Connie when she goes on and accuses Michael of killing her dear husband and ordering other executions, and she is finally relieved when he finally denies it. But when the capos arrive, they address her husband as Don Corleone. (Andrew, 2008). References Andrew, D. (2008). The GODFATHER. (Cover story). Film Comment, 44(6), 38-42. Corliss, R. (2014). Corleone Family Values: The Godfather Part II at 40. Time.Com, N.PAG. Navarro, V. (2012). Nonfictional Performance from Portrait Films to the Internet. Cinema Journal, 51(3), 136-141 Poon, P. (2006). The Corleone CHRONICLES. Journal Of Popular Film Television, 33(4), 187-195. Poon, P. (2006). The Tragedy of Michael Corleone in The Godfather: Part III.. Literature Film Quarterly, 34(1), 64-70. Roundtable on the Return to Classical Film Theory. (2014). October, (148), 5-26. Seel, M. (2008). Realism and Anti-Realism in Film Theory. Critical Horizons, 9(2), 157-175. Welsh, A., Fleming, T., Dowler, K. (2011). Constructing crime and justice on film: meaning and message in cinema. Contemporary Justice Review, 14(4), 457-476. doi:10.1080/10282580.2011.616376

Jihad: Moving Beyound Cultural Biases and Misconceptions Essay

The concept of Jihad was not widely known in the western world before the terrorist attacks on the United States on September 11, 2001. Since then, the word has been woven into what our media and government feed us along with notions of Terrorism, Suicide Bombings, Hamas, Al-Qaeda, Osama Bin Laden, and now, Jihad. Our society hears exhortations resounding from the Middle East calling the people to rise up in Jihad and beat back the imperialist Americans. Yet, if we try to peel back all of these complex layers of information we can we attempt to find out what Jihad really means. Webster’s Dictionary defines Jihad as â€Å"a holy war waged on behalf of Islam as a religious duty or a crusade for a principle or belief† (1). Often, media depicts Jihad in the same manner—as a vicious clash between two very different peoples, each of whom believes that righteousness, and in many cases God, is on their side. From this interpretation and our daily media intake, one may re asonably assume that Jihad refers to nothing more than violent acts, or â€Å"holy wars.† While there is no precise definition of the term, the meaning of Jihad is far more complex. In fact, the term Jihad generally refers to the struggle one must undertake as one â€Å"strive[s] in the path of God† (Church 110). That struggle is defined both externally and internally. As so, they are classified in terms of an external struggle with enemies or non believers, or an internal struggle with oneself to reject greed and temptation. While popular opinion has been misconstrued to see Jihad as a malevolent, violent action; a serious investigation of the term’s historical and religious background reveals a multi-defined word. An examination of the Jihad’s etymological context will lend a k... ... As Americans, we must approach Jihad with sensitivity, an admission of our ignorance on the subject, and an earnest attempt to properly educate ourselves. Works Cited Church, Kenneth. â€Å"Jihad.† Collateral Language. Ed. John Collins and Ross Glover. New York: NYU Press, 2000. 109-123. Engineer, Asghar Ali. â€Å"The Real Meanings of Jihad.† December 2001. 1 October 2003.Husaq, Nina. E-mail to the author. 19 October 2003. Juergensmeyer, Mark. Terror In The Mind Of God. Berkeley: University of California Press, 2000. Merriam-Webster Dictionary. (6th Edition) Springfield: Merriam-Webster, 1999.Rogers-Melnick, Ann. â€Å"Jihad Misused, Misunderstood.† Post-Gazette 23 September 2001. 2 October 2003. The Qu’ran. LXI:11, p.398; IX:41, p.149. Witham, Larry. â€Å"Muslims See Wordplay as Swordplay in Terrorism War.† The Washington Post. 24 July 2002. 3 October 2003.

Pros and Cons of Managed Care

Care Some of the pros for managed care are; Preventive care — HMOs pay for programs, they are set up and are intended at keeping one healthy (yearly checkups, gym memberships, etc. )The idea is, so they won't have to pay for more costly services when and if one gets sick. Lower premiums — Because there are limits set as to which doctors one can see and when one can see them, HMOs charge a premium and usually they are lower premiums.Prescriptions — As part of their precautionary retreat, most prescriptions are covered by HMOs for a co-payment that also can be very low. Fewer unnecessary procedures —doctors are given financial incentives from HMOs , to provide only needed care, so doctors are less likely to order costly test or surgeries that one does not need. Limited paperwork — While healthcare professionals and facilities have more paperwork, under managed care, HMO members usually only has to show their membership card and pay a very low co-payme nt.Some of the cons for managed are; Limited doctor groups — To keep financial burdens down, HMOs tell one which doctors’ one can see, including specialized fields. Restricted coverage — one cannot expect care on command because ones primary-care physician must justify the need based on what benefits ones plan covers. Prior approval needed — If one would like to see a specialized doctor or go to the emergency room, one would need permission from their main physician.Possibility of under treatment — Because of the incentives given doctors to limit care, the doctor may try to hold back on good care management he would give. Compromised privacy — HMOs use patient records to keep an eye on doctors' performance and efficiency, so particulars of one’s medical history could be seen by other people. Getting medical care used to be thought of as trouble-free. One would go to the physician of their choice, get great care and their health insura nce would cover the cost of seeing the physician and cover tests needed.These networks should stand for better earth care for less money. But as they work hard to keep out of pocket expenses down, the scary tales it causes are frightening: â€Å"drive-by† mastectomies, when women are not allowed facility stays after harrowing breast removal; As network bureaucrats who deny a claim for coverage to the emergency room when heart attacks turn out to be indigestion; doctors who get year-end payoffs to give constraining care and don't communicate to patients about better costly treatments.Those against managed care aren't so kind. It can be said that the system that once commended physicians for working too much for the patient now, are given an incentive for doing a lot less. â€Å"The incentive now is to put bounds on care,† says (Dr. Donald Hanscom, a Beverly gynecologist. ) â€Å"Everything is money. â€Å"After a decade of wining and dining the public with lower premi ums and a wider spectrum of benefits, the inexperienced period for managed care is noticeably over. Those opposed are uneasy by the idea of unethically abuse.They are apprehensive members, many are not getting the care needed, the specialists they want, or the coverage one should get to have, especially in health urgencies. They also are concerned about issues that come up that have plagued the healthcare system elsewhere in the nation, such as stifling guidelines set up that keep doctors from suggesting more costly treatment choices. Although they say their far reaching goal is to provide a greater healthcare, the business has brought forth an unwelcoming talk that seems to challenge that.Patients who choose a doctor that does not participate in a â€Å"The† network, either at their own expense or with restricted coverage by the network, are considered â€Å"leakage. † Doctors who go against the networks system to get better treatment for their patients sometimes risk being blackballed out of and the network. It's reassuring to know that some networks are doing a good job, but lawmakers are dealing with a weary opposition that isn't frightened by what the nation thinks. Those up on the hill have responded with a charge of state and national bills pointed at bringing in a booming healthcare industry that's pretty much free-for-all.For their part, the networks don't see what the entire objection is about. They say productiveness and peoples request will keep their guidelines just and within ones means. â€Å"The networks are trying not only for cost, but also for class and peoples’ satisfaction. It's a patron service industry when you get right down to it. The network points to their absolute success in bringing down costs and keeping the mass of network enrollees happy. Each month people across the nation join a network, so it's plain that, Network care is here to stay in one shape or another.Those against and those rooting for that of ma naged care agree that the existence of unconstrained health care on demand is declining. As health care costs push very high yearly, some say it's time for all to comprehend that the medical healthcare industry has financial restrictions just like any other industry. â€Å"People have been brought up to believe that health care is an entitlement,† says (Jeanne Holland, executive director of Northeast Physicians-Hospital Organization) at Beverly Hospital. They think ‘Life, liberty, the pursuit of happiness and health care on demand. ‘ Consumers need to change their thinking. â€Å"Resources http://ask. reference. com/related/History+of+Managed+Care? o=102545&qsrc=121&l=dir, Retrieved, October 26, 2010 http://www. ecnnews. com/hlth/manintro. htm, Retrieved, October 26, 2010 http://ezinearticles. com/? Health-Insurance-Types, Retrieved, October 26, 2010 http://www. senioranswers. org/Pages/prosandcons. htm, Retrieved, October 26, 2010

The Evidence for the Existence of Multiple Memory Systems...

The Evidence for the Existence of Multiple Memory Systems Memory forms an important part of cognitive psychology and has been of interest to numerous psychologists. This essay is going to refer specifically to the information-processing model of memory and will discuss the experimental evidence that exists for multiple memory systems. The multi-store model of memory was first developed by Atkinson and Shiffrin (1968) and Waugh and Norman (1965).[1] It comprises sensory stores, short term-store and long-term store to form a model of memory and information processing. One component of the system is the sensory register, where our feature detection and pattern recognition processes produce a†¦show more content†¦This led Sperling to the hypothesis that one form of presentation of the visual stimulation remains accessible for a short time after the presentation. It was Neisser (1967) who proposed that this representation should be called an icon. Iconic storage was claimed to be useless by some psychologists. Haber (1983) claimed it was irrelevant to normal perception, as he assumed that the icon was created at the offset of a visual stimulus, but it is actually created at its onset.[3] Therefore, even with a continuously changing visual world, iconic information is still useful. The Echoic store is a transient auditory store, holding relatively unprocessed input. It is similar to the iconic store except it refers to auditory rather than visual stimuli. Treisman (1964) conducted experiments in this area and found that the temporal duration of unattended auditory information in echoic storage is about two seconds. Short-term memory is another component of the multi-store model. Our short-term memory is said to require the allocation of cognitive resources (Atkinson Shiffrin 1968). 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